Bartolomé de Escobedo (circa 1510–1570) was a Spanish composer and music theorist of the Renaissance period. He is best known for his contributions to the development of polyphonic music in Spain. Escobedo's work predominantly falls within the genre of sacred music, particularly focusing on motets and masses. One of his notable works includes the "Misa de la Virgen," which exemplifies his skill in weaving intricate vocal lines that reflect the polyphonic style of his time. His treatise, "El maestro de los cantores," is also significant, as it provides insight into vocal techniques and practices of the era, underscoring his role as an educator in music. Escobedo's impact on music lies in his ability to bridge the traditional sounds of medieval music with the more complex harmonies of the Renaissance, influencing subsequent generations of composers. His work contributed to the rich tapestry of Spanish music during a time of cultural flourishing, and he is recognized for helping to establish a distinct Spanish voice in the broader context of European music.